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1. Casino Music Jungle Love (UK ZE/Island) 1979 Blondie's Chris Stein produced this French quartet's album in New York; Island Records chief Chris Blackwell mixed the tapes in the Bahamas and released the LP in England — all for no audible reason.
2. Casino Royale was released on 13 April 1967, two months prior to Eon's fifth Bond movie, You Only Live Twice. The film was a financial success, grossing over $41.7 million worldwide, and Burt Bacharach 's musical score was praised, earning him an Oscar nomination for the song ' The Look of Love '.

ZE Records was originally a New York-based record label, started in 1978 by Michael Zilkha and Michel Esteban. It was reestablished by Esteban in 2003.

Listen to Jungle Love - EP on Spotify. Casino Music Single 2003 4 songs. French synth wave active in the late 1970's. Signed to ZE Records. LP's: Jungle Love Amour Sauvage.

History[edit]

Michael Zilkha (b. 1954) is a British-born Oxford graduate of Iraqi descent, the son of Selim Zilkha, former owner of Mothercare, a major UK retail company, and the stepson of Cabinet member Lord Lever. In the mid-1970s, Zilkha worked in the New York publishing industry and was a contributor to the Village Voice.

Michel Esteban (b. 1951) studied art in Paris and at the School of Visual Arts in New York, before returning to Paris in 1975 and opening the shop Harry Cover (a pun on 'haricots verts'), which specialised in current rock music merchandise from the US and UK. The basement shop quickly became the rehearsal place for Parisian new wave bands. Between 1975 and 1976, Esteban published Rock News, which covered the birth of the punk rock movement in London, New York and Paris. In 1977 he published Patti Smith's books Witt and The Night, and Lizzy Mercier Descloux's first book Desiderata.^[1][2]

In 1977, Esteban signed French new wave band Marie et les Garçons, and asked John Cale - who had been introduced to him by Patti Smith - to produce them. Cale produced the single 'Re Bop' in New York, and when he decided to start a record label with Jane Friedman he asked Esteban to assist. Cale later introduced Esteban to Zilkha, and they first established SPY Records to release singles produced by Cale, including records by Harry Toledo, the Necessaries, Lester Bangs, Model Citizens and Bob Neuwirth.^[1][2]

Zilkha and Esteban then left to set up their own label, ZE Records, a name taken from the initials of their surnames, to record the new music emerging in New York and elsewhere from a fusion of punk, disco and new wave music. Much of the music produced by the company later became categorised as either 'Mutant Disco' – a title used for one of ZE's early compilation albums - or 'No Wave'. Chris Blackwell - a friend of Esteban's then-girlfriend, fashion editor Anna Wintour^[3] - gave ZE worldwide exposure through the label's licence deal with Island Records.

Within a short time, ZE Records became one of the more hip labels of its time, signing up such new talent as James White and the Blacks, Was (Not Was), Kid Creole and the Coconuts, Lydia Lunch, Lizzy Mercier Descloux, Cristina, The Waitresses, Bill Laswell's Material and Richard Strange, together with more established performers including John Cale and Suicide.^[2] Many of its releases were first played at the Paradise Garage club in New York, starting point of Garage music. Casino del sol hotel.

ZE developed an independent and surrealist aesthetic identity. It was described by John Peel in Melody Maker in 1980 as 'the best independent record label in the world', and by Paul Tickell in The Face in 1982 as 'the world¹s most fashionable label'.^[3] According to writer Andy Kellman:^[4]

'At their most inspired, the artists on ZE found some middle ground between immensely accessible disco-pop and the avant-garde, without ever falling down the middle of the road. Music that appealed to Highlights-reading six year olds as well as their Village Voice-reading parents wasn't particularly common back then (surely there are no modern-day parallels); and it's just one of the voids that the ZE label filled, fostered by a very direct collision between the novelty of pop and the possibilities of artful experimentation.'

The label's success and influence peaked around 1981-82. Esteban left New York in 1982, and ZE Records closed down in 1984.

Esteban continued to work with Lizzy Mercier Descloux, and with Lio, as well as other artists. He restarted the ZE label in 2003 in France to record new artists, including Glasgow band Michael Dracula, as well as to reissue old material.^[3] He lives today in Salvador da Bahia, Brazil, where he is working on music, contemporary arts and cultural project in general. Meanwhile, Michael Zilkha joined his family in working in the energy business, and is currently co-owner of a major renewable energy company based in Houston, Texas.

List of ZE recording artists[edit]

Discography[edit]

^[6][7]

See also[edit]

References[edit]

1. ^ ^abThe Future Is History: The Birth of ZE Records
2. ^ ^abcFlux magazine: interview with Michel Esteban, 2009
3. ^ ^abcThomas H Green, 'Mutant disco from planet ZE', Daily Telegraph, 13 August 2009
4. ^Andy Kellman, Review of Mutant Disco, Allmusic.com
5. ^List of ZE Records Artists
6. ^List of ZE Records 2010 with covers from LP/EP/Digipack/Digital
7. ^Discogs: ZE Records discography

External links[edit]

Slots Jungle Casino Download

Movie Casino Music

1. Casino Music Jungle Love (UK ZE/Island) 1979 Blondie's Chris Stein produced this French quartet's album in New York; Island Records chief Chris Blackwell mixed the tapes in the Bahamas and released the LP in England — all for no audible reason.
2. Casino Royale was released on 13 April 1967, two months prior to Eon's fifth Bond movie, You Only Live Twice. The film was a financial success, grossing over $41.7 million worldwide, and Burt Bacharach 's musical score was praised, earning him an Oscar nomination for the song ' The Look of Love '.

ZE Records was originally a New York-based record label, started in 1978 by Michael Zilkha and Michel Esteban. It was reestablished by Esteban in 2003.

Listen to Jungle Love - EP on Spotify. Casino Music Single 2003 4 songs. French synth wave active in the late 1970's. Signed to ZE Records. LP's: Jungle Love Amour Sauvage.

History[edit]

Michael Zilkha (b. 1954) is a British-born Oxford graduate of Iraqi descent, the son of Selim Zilkha, former owner of Mothercare, a major UK retail company, and the stepson of Cabinet member Lord Lever. In the mid-1970s, Zilkha worked in the New York publishing industry and was a contributor to the Village Voice.

Michel Esteban (b. 1951) studied art in Paris and at the School of Visual Arts in New York, before returning to Paris in 1975 and opening the shop Harry Cover (a pun on 'haricots verts'), which specialised in current rock music merchandise from the US and UK. The basement shop quickly became the rehearsal place for Parisian new wave bands. Between 1975 and 1976, Esteban published Rock News, which covered the birth of the punk rock movement in London, New York and Paris. In 1977 he published Patti Smith's books Witt and The Night, and Lizzy Mercier Descloux's first book Desiderata.^[1][2]

In 1977, Esteban signed French new wave band Marie et les Garçons, and asked John Cale - who had been introduced to him by Patti Smith - to produce them. Cale produced the single 'Re Bop' in New York, and when he decided to start a record label with Jane Friedman he asked Esteban to assist. Cale later introduced Esteban to Zilkha, and they first established SPY Records to release singles produced by Cale, including records by Harry Toledo, the Necessaries, Lester Bangs, Model Citizens and Bob Neuwirth.^[1][2]

Zilkha and Esteban then left to set up their own label, ZE Records, a name taken from the initials of their surnames, to record the new music emerging in New York and elsewhere from a fusion of punk, disco and new wave music. Much of the music produced by the company later became categorised as either 'Mutant Disco' – a title used for one of ZE's early compilation albums - or 'No Wave'. Chris Blackwell - a friend of Esteban's then-girlfriend, fashion editor Anna Wintour^[3] - gave ZE worldwide exposure through the label's licence deal with Island Records.

Within a short time, ZE Records became one of the more hip labels of its time, signing up such new talent as James White and the Blacks, Was (Not Was), Kid Creole and the Coconuts, Lydia Lunch, Lizzy Mercier Descloux, Cristina, The Waitresses, Bill Laswell's Material and Richard Strange, together with more established performers including John Cale and Suicide.^[2] Many of its releases were first played at the Paradise Garage club in New York, starting point of Garage music. Casino del sol hotel.

ZE developed an independent and surrealist aesthetic identity. It was described by John Peel in Melody Maker in 1980 as 'the best independent record label in the world', and by Paul Tickell in The Face in 1982 as 'the world¹s most fashionable label'.^[3] According to writer Andy Kellman:^[4]

'At their most inspired, the artists on ZE found some middle ground between immensely accessible disco-pop and the avant-garde, without ever falling down the middle of the road. Music that appealed to Highlights-reading six year olds as well as their Village Voice-reading parents wasn't particularly common back then (surely there are no modern-day parallels); and it's just one of the voids that the ZE label filled, fostered by a very direct collision between the novelty of pop and the possibilities of artful experimentation.'

The label's success and influence peaked around 1981-82. Esteban left New York in 1982, and ZE Records closed down in 1984.

Esteban continued to work with Lizzy Mercier Descloux, and with Lio, as well as other artists. He restarted the ZE label in 2003 in France to record new artists, including Glasgow band Michael Dracula, as well as to reissue old material.^[3] He lives today in Salvador da Bahia, Brazil, where he is working on music, contemporary arts and cultural project in general. Meanwhile, Michael Zilkha joined his family in working in the energy business, and is currently co-owner of a major renewable energy company based in Houston, Texas.

List of ZE recording artists[edit]

Discography[edit]

^[6][7]

See also[edit]

References[edit]

1. ^ ^abThe Future Is History: The Birth of ZE Records
2. ^ ^abcFlux magazine: interview with Michel Esteban, 2009
3. ^ ^abcThomas H Green, 'Mutant disco from planet ZE', Daily Telegraph, 13 August 2009
4. ^Andy Kellman, Review of Mutant Disco, Allmusic.com
5. ^List of ZE Records Artists
6. ^List of ZE Records 2010 with covers from LP/EP/Digipack/Digital
7. ^Discogs: ZE Records discography

External links[edit]

01 • Do The Proton • 5:20
Written by Gilles Riberolles

02 • Jungle Love • 3:34
Written by Gilles Riberolles
Backing Vocals • Cristina

03 • Vite et Bien • 4:20
Written by Gilles Riberolles / Eric Weber

04 • C'est Extraordinaire • 3:59
Written by Gilles Riberolles / Eric Weber

05 • Saint Tropez • 2:37
Written by Gilles Riberolles / Eric Weber

06 • Burger City • 3:04
Written by Gilles Riberolles / Eric Weber

Slots Jungle Online Casinos

07 • Higher • 3:19
Written by Gilles Riberolles / Anatole Mundi

08 • Jingle Gangster • 2:32
Written by Gilles Riberolles / Alain Wais

09 • Do You Feel Blue • 3:23
Written by Gilles Riberolles / Anatole Mundi

10 • Do The Proton Instrumental• 3:15
Written by Gilles Riberolles

11 • The Beat Goes On • 3:56
Written by Sonny Bono

12 • HardcoreSingle Edit • 2:53
Written by Gilles Riberolles

13 • Go Go World • 3:58
Written by Gilles Riberolles

14 • Encore HardcoreLong Version • 6:14
Written by Gilles Riberolles

15 • ConcordeSingle Edit • 3:24
Written by Gilles Riberolles

16 • Concorde Long Version • 6:03
Written by Gilles Riberolles

17 • Max La Menace • 2:30From The Single TelePop • Copyright Control18 • Faite Le Proton • 5:19
Written by Gilles Riberolles

19 • Amour Sauvage • 3:33
Written by Gilles Riberolles
Backing Vocals • Cristina W casino login.

20 • Saint TropezFrench Version • 2:33
Written by Gilles Riberolles / Eric Weber

Casino free download. 21 • Burger CityFrench Version • 3:05
Written by Gilles Riberolles / Eric Weber

22 • Ailleurs • 3:11
Written by Gilles Riberolles / Anatole Mundi
All songs published by ZE Multimedia Music
except Burger City by Edition Clouseau
The Beat Goes On by PECF
Max La Menace Copyright Control
MUSICIANS
Lead Vocals, Guitar • Gilles Riberolles
Bass • Eric Weber
Drums • Jean Michel Lemeur
Piano, Organ • Anatole Mundi
Piano, Synthesizer, Percussion • Ron Rogers
Synthesizer • Allen Wentz
Backing Vocals Chris Wilshire, Gina Tharps, Mary Seymour
Finger Snaps • Allain Wais
Horns Arranged by Tom Malone
Guitar Solor on Higher Chris Stein
SOUND
Recorded at Blank Tape Studios NYC 1979
Recording Engineer • Butch Jones
Mixed at Compass Point Studios Nassau, Bahamas
Mixing Engineer • Steve Stanley
Mixed by Chris Blackwell
Producer by Casino Music & Chris Stein
Executive Producer • Michel Esteban
« The Beat Goes On »
Recorded in Paris 1981
Produced by Casino Music & Michel Esteban
« Concorde », « Encore HardCorde « , « Go Go World »
Recorded at Compass Point Studios Nassau, Bahamas 1980
Engineered & Mixed by Steve Stanley
Produced by Casino Music & Michel Esteban
Remastered By Charlus de La Salle at South Factory
Original Sound Recording Made by ZE Records © 1979
© ZE Records Mundo Ltda 2010
Original Sound recording made by ZE Records ©1979 / 1981
This compilation Selected & Produced by Michel Esteban
(p) & © 2010 ZE Records Mundo Ltda
DESIGN

Artwork Cover by Richard Berstein
Artwork Logos & Inside Cover by J.J. Mahuteau
Booklet Artwork by Michel Esteban